Autumn is coming, with longer, cooler, and darker evenings, and if you don’t want to nestle at home, the theater can be a perfect choice. Sometimes it lifts your spirits, sometimes it saddens you, but it always provides a communal experience and something to think about. In this article, I recommend three performances from the repertoire of Játékszín on Teréz körút.
The Intouchables
The performance directed by Ádám Horgas is a stage adaptation of the 2011 French film of the same title. It is a worthy successor, yet not just a mere copy of the film. Based on true events, the story follows a wheelchair-bound gentleman and his troubled caregiver, who are polar opposites of each other, yet by the end, a beautiful friendship and alliance develops between them. The contrasts certainly lead to many humorous situations throughout the story, but the play also has depth, telling a tale of acceptance. The main characters are portrayed on stage by István Hirtling and Gábor Vadász. I really enjoyed the music of the performance, as the melodies lingered in my ears long after the show ended.
Complete Strangers
If you saw the Hungarian film “BÚÉK” which was released six years ago, then you’re familiar with the essence of the story: a group of friends gathers on New Year’s Eve to spend the evening together and starts what seems to be an innocent game. According to the rules, they must share every incoming phone call and message with each other. Gradually, an avalanche begins, resulting in secrets being revealed one after the other. Everyone has something to hide. This theater chamber drama features a true parade of stars (including Kata Dobó, Csaba Debreczeny, and Sándor Nagy, to name just a few). There is a homosexual thread in the story, but I must honestly say that it wasn’t joyful for me; rather, it delivers a gut punch as it is unfortunately painfully realistic.
Things Worth Living For
Zoltán Bereczki’s monodrama, which relies on improvisation and audience involvement, conveys a very pleasantly positive outlook on life while also addressing deep issues (depression and suicide). The liberated atmosphere of the play quickly draws in the audience and transforms them into a true community. We laughed, cried, applauded, and danced together. Bereczki clearly revels in the role, skillfully captivating a full house. The play includes a list of things the main character believes are worth living for. This list comes to life through audience engagement. (But if you prefer not to participate as a spectator in the game, just avoid sitting in the front rows and don’t grab a yellow slip when entering!) What would be on your list?
Translated by Viki
